Music, Burlington Music and Irving Music, Inc.Įngineer: Willie Mitchell ( US soul/R&B & funk producer, trumpeter & singer) producer: Al Green and Willie Mitchell ( US soul/R&B & funk producer, trumpeter & singer) baritone saxophone: James Mitchell ( US saxophonist/arranger) drums (drum set): Howard Grimes and Al Jackson, Jr. ( Booker T & The MGs drummer) and Willie Mitchell ( US soul/R&B & funk producer, trumpeter & singer) publisher: Al Green Music Inc., Al Jackson Jr. ( Booker T & The MGs drummer) electric bass guitar: Leroy Hodges guitar: Mabon Hodges organ and piano: Charles Hodges ( Soul Organist) tenor saxophone: Ed Logan and Andrew Love trombone: Jack Hale ( trombone) trumpet: Wayne Jackson ( trumpet/trombone (Memphis Horns/Mar-Keys)) background vocals: Charles Chalmers, Donna Rhodes and Sandra Rhodes strings arranger: Charles Chalmers and James Mitchell ( US saxophonist/arranger) recorded at: Royal Studios in Memphis, Tennessee, United States recording of: I’m Still in Love With You lyricist and composer: Al Green, Al Jackson, Jr. Never a trumpet too loud, never a string out of place or a note too many, no, everything runs as smoothly as a well-oiled machine in this album that ages beautifully like a fine wine.Engineer: Willie Mitchell ( US soul/R&B & funk producer, trumpeter & singer) producer: Al Green and Willie Mitchell ( US soul/R&B & funk producer, trumpeter & singer) baritone saxophone: James Mitchell ( US saxophonist/arranger) drums (drum set): Howard Grimes and Al Jackson, Jr. T & The M.G.’s) who provides the music with its vital heartbeat. The key ingredient to this soulful magic is the pared-down musical backdrop provided by Mitchell and his musicians, especially Al Jackson on drums (original member of Booker. The singer-reverend from Arkansas croons, scats, whispers and shouts like a preacher on the verge of sin. And of course, Al Green’s unique, suave tone is showcased right the way through this fifth album, released in 1972. The minimalist and introspective I’m Still in Love With You has a refined, sexy soul sound and even explores country (a raunchy version of Kris Kristofferson’s For the Good Times) and rock ‘n’ roll (an original cover of Roy Orbison’s Pretty Woman). Just nine months after the release of Let’s Stay Together featuring the single with the same title, Al Green teamed up once again with production partner Willie Mitchell, aka the boss of Hi Records music label, for yet another legendary album. See More Your browser does not support the audio element. Never a trumpet too loud, never a string out of place or a note too many, no, everything runs as smoothly as a well-oiled machine in this album that ages beautifully like a fine wine.
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